Expressions of the Feminine at Van Brabson Gallery

The fourth annual Expressions of the Feminine Psyche
exhibit opened this May 2 with food, music, and many friends of the artists.
It's open until June 30, 2009.

At the Van Brabson Gallery in Minneapolis, a nondescript, gray, square building set back from the road, a celebration of spring and Mother Earth inside enlivened the white rooms full of framed photography, glittering cases of jewelry, and impressive oil paintings.
Visitors were greeted by Bonnie Brabson's dark abstracts, and welcomed to scribble their thoughts in the guestbook next to handmade cards and mixed media art by Pam Cox.
According to the gallery owner, who video taped the reception to show her mom on Mother's Day, anything that women artists thought of in relation to 'the feminine psyche' could become that theme. The feminine mystique is shifting and broad, and could include anything as its art-- even her video of crowds mingling and browsing the artwork.
Beneath a row of Untitleds, Marcia Soderman-Olson's strong, abstract oils with their energetic centers, Marcia and a couple of her fellow exhibited artists chatted and snacked. Her paintings' blue-green to black strokes seem to structure colored business within-- or, perhaps, frame the scraped color strokes of attempted paintings past, beneath them. Perhaps they are the structures of the present scratched away in their construction to reveal layers of past adventures, each color a layer. Lines where thumbnails had lifted up fresh paint from the middle of broad strokes made the audience conscious of their creation.
On an adjacent wall, Corean Komarec's clear, realistic photos provided contrast and focus for the show. Nature, balance, and representations of women in sculpture were the themes of her prints, reminding people that the feminine in art is everywhere; it is a major part of perceptions of beauty.
Besides Komarec's prints and Cox's cute cards for sale, Dragon Treasures bracelets and necklaces by Kelly Frampton, worth hundreds of dollars, are for sale at the gallery. Her materials are found and recycled treasures as well as semiprecious stones, which charmed the gallery space from each display case. Frampton spent enough time with each piece to describe the sort of energy boost coming from her jewelry's different sets of stones. From malachite to bloodstone, the whole variety had been cleansed by the four elements in the process of turning found parts into art.

Nancy Schwartz, with paint left over from home projects, created abstract portraits in her series, A Woman Becoming. Her paintings use balance, subdued colors full of the textures of many days of experiments: scraping, thinning, texturing, layering paint in representations of women with blurry faces that fill their frames. Everything about these works requires interpretation of colors, as shadows or flesh or clothes-- and then it seems to ask, 'Why do you think of me as that?'
Everything requires sympathetic interpretation, and that's part of the feminine psyche.